canon c500 mark iii

We posted some Canon Cinema EOS C500 Mark II specifications a couple of weeks ago, and we continue to receive trickles of new information about the soon-to-be-announced camera.. We have received some confirmation that the Cinema EOS C500 Mark II will have the same full-frame sensor as the Cinema EOS C700FF, and will be capable of recording in 5.9K internally to the CFexpress. By adding a V-lock or AB battery on the back of the module, this will not only allow the EOS C300 mark III to have longer run times, but it should also help with better weight distribution if you want to shoulder mount the camera. Hypothetically speaking, if Canon had never released the C500 Mark II and instead just made a full-frame C300 Mark III with 4K 120p recording and a Dual Gain Output for under $12,000 USD they would have created a camera that everyone would have jumped on. Join us and others in the newly launched Newsshooter Forums. It manifests itself by restoring a good deal of the subtle image textural information that is lost by diffraction and pre-filtering, Diffraction correction does not operate on RAW video. The only slight concern I have with the C300 Mark III is it is late to the party. There are two inescapable optical limitations to the sharpness of the video image that are originated in any lens-camera system. Noise is also claimed to be greatly reduced because the Dual Gain Output signal is taken directly from the sensor and before any image processing takes place. The Newsshooter forums have just launched. The Cinema RAW Light files are about a 1/3 to 1/5 the size of Canon’s Cinema RAW format that had to be recorded externally from the EOS C300 Mark II and EOS C700. It is important to note that the DGO can’t be turned on or off. However, it does work when you are shooting in 2K Super 16mm Crop mode up to 112fps. 12G SDI Support for 12G SDI allows the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable. The Canon EOS C300 Mark III uses the exact same frame as the C500 Mark II, but packs inside Canon's new DIGIC DV7 processor and a new 4K Super 35mm Dual Gain Output (DGO) sensor. Created with broadcast and film professionals in mind, the small and modular body houses the newly developed Dual Gain Output sensor that delivers outstanding image quality. If you own a C500 Mark II you could swap over mounts between that camera and the C300 mark III. It makes a lot of sense going with the same exact body for both cameras, as you can share accessories between the two models. The C300 Mark III features dual CFexpress card slots as well as an SD card slot which you can use to record low-resolution proxies. Canon goes on to say that this new sensor is capable of 16+ stops of dynamic range with reduced noise in the shadows and improved low light performance. The firmware updates for the EOS C300 Mark III, EOS C500 Mark II, EOS C700, EOS C700 FF, EOS C700 GS, EOS C200, and EOS C200B Cinema Cameras will also add support for the new CINE-SERVO 25-250mm T2.95-3.95 (CN10x25 IAS S) Cinema Lens. The C300 Mark III sits between the C200 and the C500 Mark II. Just like the C500 Mark II cannibalized the C700 FF, the C300 Mark II cannibalizes the C500 Mark II. A focus pre-set feature allows separate predetermined focus points to be selected, and when the SET button is pushed, the lens will move the focus from one mark to the other. Just like with the C500 Mark II, Canon has put the audio controls for the C300 mark III on the right-hand side of the camera. The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. If in fact, the camera does have 16+ stops of actual dynamic range that would give it the most dynamic range of any camera on the market. Powered by the newly developed Dual Gain Output sensor, the EOS C300 Mark III captures extremely high image quality in DGO mode. While the file sizes and recording times may seem overwhelming to someone who isn’t used to shooting RAW, they are actually pretty small compared to most other digital cinema camera RAW formats. That entailed an analysis of the behavior of the point spread function of light beams passing through that system which was converted into a mathematical function, termed the optical transfer functions (OTF). Created with broadcast and film professionals in mind, the small and modular body houses the newly developed Dual Gain Output sensor that delivers outstanding image quality. The US price for Cinema EOS C300 Mark III body is $10,999, now available for pre-order at B&H Photo Video/Adorama.The US price for CINE-SERVO 25-250mm T2.95 Cinema Zoom Lens is $29,999, now available for pre-order at B&H Photo Video/Adorama. "I will soon be moving to the Canon EOS C300 Mark III," he says. Matthew is available to hire as a DP in Japan or for work anywhere else in the world. The camera can be customized to be quite small or quite large depending on what you are doing. When DGO mode is activated, every single pixel is simultaneously outputting dual gain levels. Yes, it doesn’t have a full-frame sensor and it can’t record 5.7K RAW, but it does give you 4K at 120p in the exact same camera body with all of the same functionality. That makes it $5,000 USD cheaper than the C500 Mark II and $1 more than the Sony FX9. The Diffraction Correction system within the EOS C300 mark III camera processor implements real-time compensation for diffraction and for the optical pre-filtering. It doesn’t work when you are shooting in frame rates above 60p in S35 4K. The EOS C500, EOS C300 Mark II, EOS C700 & EOS C700 FF were all met with mixed reactions, and all those models failed to gain any real traction in the market. In December 2019, the C500 Mark II was released and soon followed by the C300 Mark III earlier this year. The C300 Mark III draws just 31W and this is primarily because of the Dual Gain Output sensor. You are probably not going to notice a massive increase in dynamic range if you are still finishing in SDR. The reason is … Just to be clear, anytime you select the full-frame shooting mode on the EOS C500 Mark II and you are recording XF-AVC you are oversampling the 5.9K sensor. キヤノンのデジタルシネマカメラ「EOS C500 Mark II/EOS C300 Mark III」が、公益財団法人日本デザイン振興会が主催する2020年度グッドデザイン賞において「グッドデザイン金賞(経済産業大臣賞)」を受賞しました。 The addition of Canon’s Cinema RAW Lite to the EOS C300 Mark II is no real surprise. If you shoot in Canon Log 3 then the dynamic range drops to 14 stops. 12G SDI Support for 12G SDI allows for the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable. The next generation EOS C300 Mark III incorporates Canon’s newly developed 4K Super 35mm DGO sensor, with 4K 120P Slow motion, High Dynamic Range and Dual Pixel CMOS AF into the same body as the EOS C500 Mark II. The good news is most NLE’s can read it with plugins. Because the media recording slots are on the side of the camera and not at the back there is no room to put them on the operator’s side of the camera. On the hardware side, 12G-SDI allows for 4K 50/60P recordings to compatible external recorders, additional backlit custom functions buttons, a larger touchscreen LCD monitor and an overall smaller footprint allows for ease of operation. The EOS C500 Mark II is an advanced and compact digital cinema camera with a 5.9K full-frame sensor and a brand new image processing platform. In some ways, the C500 Mark II and the C300 Mark III are almost like Sony’s F55 and F5. The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. The C300 Mark III can record 4K at up to 120p in Canon RAW Lite or XAVC Intra. The DGO works across all ISO ranges on the camera. "It's the perfect companion for the EOS C500 Mark … Here are some info about upcoming Cinmera EOS cameras that are expected to be released in 2020. Category. Last month, Canon has officially announced the new Cinema EOS C500 Mark II – the only Cinema EOS camera from Canon in 2019. At 3.9 lb they are only marginally heavier than the EOS C200 (3.2 lb). You may be asking why doesn’t the C300 Mark III have an RF mount? Canon Z-Finder with Rosette Mount - The Canon C500 Mark II & C300 Mark III Z-Finder is an optical viewfinder, specifically designed to attach to the Canon LM-V2 4.3" LCD Monitor compatible with the Canon C500 Mark II and Canon C300 Mark III.This Z-Finder will magnify the LCD screen by 1.8x and has a diopter wheel for specific focus tuning. The EOS C300 Mark III camera offers a variety of options in terms of onboard recording while simultaneously supporting external uncompressed recording. The Dual Pixel Focus Guide presents the user with a rectangle in the center of the EVF or monitor. Just like the C500 Mark II, the C300 Mark III can shoot in Canon Log 2, Canon Log 3, HDR-HLG, HDR-PQ, Normal 1, and Wide DR. LUTs Image copyright Dave May (@davetallstory) Preset Viewing LUTs can be assigned for each output. This is exactly the same as the C300 Mark III. Canon Creator Society. Given this low power draw, there is probably little reason to run a larger V-lock battery on this camera. In my opinion, the C300 Mark III is more in direct competition with the Sony FX9 than the C500 Mark II. Selected category All. The Canon C500 Mark IIis definitely more expensive on paper. Working in tandem with the modular design of the EOS C300 Mark III are the extension units. Canon LOG. By using the exact same body and same accessories as the C500 Mark II Canon would have significantly saved on development and manufacturing costs. The C300 Mark III is identical to the C500 Mark II and you would struggle to tell which camera is which when they are sitting side by side. One is in the lens itself (the optical phenomenon of diffraction) that sees a progressive lowering of optical MTF as the lens aperture is stopped down. Of course, what is more important is where that dynamic range is being allocated. Yes, it isn’t full-frame like the FX9, but the pricing is similar and the C300’s direct competitor has always been the Sony FX series. Less heat being produced means less image noise, which should equate to better low light performance. This modelling incorporates the alterations to the point spread function as the lens aperture ranges from fully open to fully closed. At frame rates above 120, it will do a crop on the sensor and you need to be in the Super 16mm mode. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. The C500 Mark II is the latest Cinema EOS camera from Canon and looks to be positioning itself as a very versatile and capable camera! Should you opt for a locking mount? The C300 Mark III is physically identical to the C500 Mark II except that it is based around a Super35 sensor. Consider becoming a Patreon supporter and help us to continue being the best source of news and reviews for professional tools for the independent filmmaker. How long can you record for in the various resolution, frame rates, and codecs? A gyroscopic sensor mounted within the body of the camera reports on angular rates along reference axes. The first path contains the regular, highly amplified signal. Unlike traditional RAW recording, Cinema RAW Light does not record in a frame-by-frame file structure. The bitrate figure in brackets indicates the maximum bit rate at the highest resolution and frame rate. Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. B4 mou… A correction circuit under control of a recovery filter database within the DIGIC DV7 implements this compensation. You shouldn’t confuse Dual Gain Output with Dual Base ISO. From what I can gather, Canon’s DGO is very similar to what ARRI has been doing for years. Canon EVF-V50 OLED Electronic Viewfinder 3938C001 for C300 Mark III & C500 Mark II Your Price: $699.00 Core SWX Nano-C98 14.8V Battery with D-Tap for Select Canon Camcorders NANO-C98 Would you buy one? Just like the C500 Mark II, the C300 Mark III can shoot in Canon Log 2, Canon Log 3, HDR-HLG, HDR-PQ, Normal 1, and Wide DR. LUTs Image copyright Dave May (@davetallstory) Preset Viewing LUTs can be assigned for each output. It is also compatible with anamorphic lenses. As you can see from the above chart, DPAF support works with the C300 Mark III in most frame rates, but if you are shooting in S&F, some shooting frame rates are not supported. The US price for Cinema EOS C300 Mark III body is $10,999, now available for pre-order at B&H Photo Video/Adorama.The US price for CINE-SERVO 25-250mm T2.95 Cinema Zoom Lens is $29,999, now available for pre-order at B&H Photo Video/Adorama. Focal Length can be saved You can select the focal length during shooting to optimize the electronic IS effect. The sensor also uses the newer Digic DV 7 processor, the same one that can be found in the C500 Mark II. You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. These extension units provide a plethora of important functions and additional input and output options, battery options and even a Viewfinder. The EOS C300 Mark III uses the same exact Dual Pixel CMOS AF (DAF) Technology that is found in the C500 mark II. Now there is a reason why they have had to do this. The power draw of the C300 Mark III (31W) is less than half that of the C500 Mark II (63W). The days of Canon releasing cameras with underwhelming specifications and features seems to be a thing of the past. Read on. The system provides five-axis correction when coupled to a lens that has no internal image stabilization When operating with a lens that does have internal IS, the lens manages the Yaw and Pitch compensation while the camera deals with the Roll and Horizontal/Vertical (X/Y) movements. I asked a Canon spokesperson whether there was a technical limitation with trying to use DGO on a full-frame sensor and they told me that because of the processing requirements when using DGO it is a lot harder to do on a larger sensor. Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with 30 years' experience working in more than 50 countries around the world. If you have just bought a C500 Mark II you may well be feeling a little jealous of the C300 Mark III. Both modules interface with the camera body via a three-pin Fisher connection point. We posted some Canon Cinema EOS C500 Mark II specifications a couple of weeks ago, and we continue to receive trickles of new information about the soon-to-be-announced camera.. We have received some confirmation that the Cinema EOS C500 Mark II will have the same full-frame sensor as the Cinema EOS C700FF, and will be capable of recording in 5.9K internally to the CFexpress. EF to PL mount (PM-V1) 3. Included with the camera are 13 accessories, such as … Each pixel in the camera’s CMOS sensor is configured with two photodiodes. Just like the C500 Mark II, the C300 Mark III can shoot in Canon Log 2, Canon Log 3, HDR-HLG, HDR-PQ, Normal 1, and Wide DR. Preset Viewing LUTs can be assigned for each output. Canon DSLR, Mirrorless, Compact, Lenses, Flashes Rumors. The EOS C300 Mark III is flexible and lightweight. Selections from the included shim sets can be added for precision adjustment of the flange back. As they work together you don’t have to choose one or the other. With a power draw of just 31W Canon probably had to make a trade-off with how the Dual Gain Output works in the camera. Canon has just announced the C300 Mark III, an S35 digital cinema camera that can record internally in 4K at up to 120p in either RAW or XF-AVC 4:2:2 10-Bit. *Frame rates above 59.94 can only be recorded in Cinema RAW Light 10-bit. According to Canon, the DGO sensor produces images optimized for HDR by creating two images. Created with broadcast and film professionals in mind, the small and modular body houses the newly developed Dual Gain Output sensor that delivers outstanding image quality. Relevant outputs are MON., HDMI, SDI OUT, and VIDEO terminal/EVF-V50. Users can change the lens mount themselves without assistance from a Canon service center. That is a good question. The Canon EOS C300 Mark III is a modular camera system, like the full-frame Canon EOS C500 Mark II that debuted last year. Canon sells the following two adapters, both with shim kits: 1. We have been told that the next cinema camera from Canon will be the Cinema EOS C300 Mark III. This makes it very similar in size to the sensor that is used in the C300 Mark II. This system should certainly benefit anyone shooting handheld, especially with longer focal length lenses. Canon states the image will be sharper with better detail and will resolve color better when shooting in 2K, and HD. Well, that isn’t possible, because that is where the optional module has to go. If the subject is out of focus the box will turn grey and the arrows will indicate which way to adjust the lens to regain focus. it does not work in any S&F setting. Sharing the same core design as its full frame sibling the EOS C500 Mark II, The EOS C300 Mark III likewise benefits from impressive modularity, allowing the camera to adapt to any shooting scenario and camera support requirements. Less power consumption means less heat is being produced. Facebook Twitter YouTube Instagram Sign up for our weekly newsletter! By combining and processing the information generated, high dynamic range images are created with low noise, pushing the boundaries in image quality. It is with HDR that DGO will be noticeable. Above you can see the difference in the physical sizes of the C300 Mark III and C500 Mark II sensors. According to Canon, you can continuously record 130 minutes of Cinema RAW Light (1Gbps) when using a single BP-A60 battery. We also have another article with a hands-on look and footage from filmmaker Dave May, so please make sure you check that out too. Last month, Canon has officially announced the new Cinema EOS C500 Mark II – the only Cinema EOS camera from Canon in 2019. It depends on the lenses you are going to use it with. The camera can shoot with Anamorphic lenses and will offer a monitored de-squeeze for 2x and 1.3x lenses. It isn’t that this camera can’t be used for higher-end productions, but they are trying to push the C500 Mark II as a camera that is more suitable for that. The C300 Mark III is priced to compete directly against Sony’s FX9. Unlike Canon, ARRI is able to use Dual Gain Output on all frame rates. Firmware Updates C300 Mark III. 16+ stops of dynamic range is a very bold claim. The Canon EOS C300 Mark III rules for speed and flexibility. Like the C500 Mark II, the image is still recorded squeezed and the final de-squeeze happens in post. The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. If you want to, you can also attach Canon’s $3,999 USD EVF-V70 OLED Viewfinder. Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. When you are recording in RAW to the CFexpress cards you can also record proxy files to an SD card. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. Kastar Fully Decoded Battery Replacment for Canon BP-A30 BP-A60 BP-A90 Battery, CG-A10 A20 Charger, Canon EOS C200, C200B, C220B, EOS C300 Mark II, C300 Mark III, EOS C500 Mark II, Canon XF705 4K UHD 4.4 out of 5 stars 11 Camera, Drone & Photo Accessories; Tripods & Supports; Film Photography; Condition. Central to the EIS system is the creation of an active image frame that is smaller than the sensor itself. This flexible design can be configured according to the shooting and equipment requirements, right down to the lens mount – which can be changed between EF, PL or EF Cinema Lock without the need of converting by a service center. Canon EOS C300 Mark III To make the story short, the Canon EOS C300 Mark III Digital Cinema Camera features a Super 35mm Dual Gain Output sensor with up to 16 stops of high … Instead, the RAW information is compiled into a single Canon RAW Movie file (.CRM). The Canon EOS C300 Mark III is a modular camera system, like the full-frame Canon EOS C500 Mark II that debuted last year. The EIS system only operates when recording in XF-AVC or XAVC Long GOP– it does not function when recording CinemaRAW Light. (153 x 148 x 168mm). hands-on look and footage from filmmaker Dave May, Tentacle Sync Track E Pocket 32-bit float Audio Recorder– Recording & Transmitting Audio, Sigma “I” Series full-frame mirrorless lenses, Super 35mm 4K Dual Gain Output CMOS sensor (9.6 MP) 4206 x 2280, Full Frame 6062 x 3432 (20.8 MP) CMOS sensor, Electronically-controlled ND filter system, which supports 2/4/6 and an extended 8/10 stops, S35 Dual Gain Output CMOS sensor Super 35mm 4K Dual Gain Output CMOS sensor (9.6 MP) 4206 x 2280, External 16-bit raw 4K/2K up to 120 fps to a compatible device*, Newly developed S35 4K CMOS Dual Gain Output sensor, User-changeable Lens Mounts (EF, Locking EF, PL), EF, PL, anamorphic and Spherical Lens Support, Dual Pixel CMOS AF with Touch AF and Face Detection AF, Internal ND filters (clear, 2, 4, 6, 8, 10 stop – 8 & 10 with extension), 4K Cinema RAW Light, and 2K Cinema RAW Light, 4K DCI or 4K UHD digital production formats with XF-AVC Intra codec, 2K DCI or 1080-line HD digital production formats with XF-AVC Intra, 4K/UHD/2K/HD Long GOP 4:2:2 10-bit recording, Proxy video recording using XF-AVC LongGOP, 1 x 1/8″ / 3.5 mm Stereo Headphone Output. According to Canon, it is similar to the system used on the EOS R but more advanced. Electronic IS with non-electrical contact lensesShooting with Electronic IS is possible even when a lens that does not support data transmission is attached by simply manually inputting the focal length. It is no real surprise that we are seeing a Canon C300 Mark III. There is also an optional removable rear camcorder style viewfinder that costs $699 USD. An inverse function was then created and this forms the basis of the recovery filter database that would control the correction circuit (in realtime as the lens aperture is operated) to return the video image quality to close to the state associated with the wide-open aperture setting. Before Canon announces their latest cinema camera tomorrow, here’s … It will only work if you shoot in 23.98, 24, 25, 29.97, 50 or 60p. The C300 Mark II has a user-changeable lockable Canon EF mount that can be changed over to PL or standard EF. The company announced both new additions, growing its offerings in the cinema and broadcasting space. “Form factor has been key to the success of the Cinema EOS line since the original C300. What do you think about the C300 Mark III? DPAF also allows you to use the Dual Pixel Focus Guide. Given that both the C500 Mark II and C300 Mark III share the exact same body, it is no surprise that they both weight 1.77 kg (3.9 lb). There is a reason ARRI cameras have a high power consumption! The Mark III, at least on paper, looks to be a massive improvement on the Mark II and it sends a clear signal that Canon is back in the game. The C300 Mark III is a super 35 beast … While the Canon EOS C500 Mark II offers frame rates up to 60p in 4K and 120p in 1080 HD, the Canon EOS C300 Mark III is faster, with 4K at 120p and 180fps shooting in HD. 12G-SDI Support Support for 12G-SDI allows for the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable. This is a Next Generation Recoil rig designed for optimal balance and comfort when shoulder mounted or on a tripod. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies. Conversely, if recording 2K onboard then only a 2K uncompressed version can be externally recorded. This sensor, however, is completely new and features what Canon calls DGO (Dual Gain Output) - dual photo diodes on each photosite. In December 2019, the C500 Mark II was released and soon followed by the C300 Mark III earlier this year. This manual comes under the category Camcorders and has been rated by 1 people with an average of a 5.7. The next-generation Super 35mm workhorse features a new Dual Gain Output (DGO) sensor and, like the full-frame EOS C500Mark II digital cinema camera, employs a modular design and an interchangeable lens mount optional accessory that allows users to easily customize the camera according to the needs of each project. C300 Mark III. In 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards. The essence of the correction strategy is to move that frame under software control in a manner that counters the image shift created by the external vibrations and restores the image to its central position. This is not surprising because the amount of processing power to deal with two readouts at high resolutions and high frame rates would put a proportionally bigger load on the system. Canon claims that this enhances image sharpness, curtailed moire, and produces a lowered visibility of noise at the higher ISO settings. User LUTs can also be created in software such as DaVinci Resolve, and then loaded via an SD card and separately stored. Two independent image signals can then be detected at each photosite. With lenses and cameras being similar weights, the balance point is where the lens meets the camera body. This enables you to record four separate audio tracks. If you want to download the full specifications of the camera you can do so above. Canon has just officially announced the new Cinema EOS C300 Mark III camera and a new 25-250mm zoom lens today. As the 3rd generation camera in the C300 series, the EOS C300 Mark III further refines the functions which made the previous cameras highly popular in documentary films and broadcast. you can download the file above. The EF mount has been a staple of the Cinema EOS ecosystem, but you have to wonder why they didn’t decide to go with the newer RF mount. Canon vante ainsi des capacités de HDR améliorées pour la C300 Mark III. DGO is probably something we are going to see being used in future Canon sensors. The C500 Mark II utilizes the same 4″ LCD Monitor touchscreen (LM-V2) that is compatible with the Canon C500 Mark II. The Canon EOS C300 Mark III Cinema Camera is scheduled to be available sometime in June or July for an estimated retail price of $10,999 USD. Considering the RF lenses that are now available and the ability to adapt not only Canon EF, but a wide range of other mounts it is puzzling to say the least. The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. Dual Gain sensor architecture has been used by ARRI in their Alev III sensors for more than 10 years. What you also have to take into account is that if you use the XLR inputs on the module, whatever you plug in is going to be sticking straight out (unless you have angled connectors). Where it differs from the C500 Mark II is that DPAF is available in far more frame rates. The biggest advantage the Sony FX9 has is that it is already available. The standard EF mount is non-locking. But if you do want to control the audio on the operator’s side you will need to have your audio plugged into input 3 or 4. The C300 Mark III will be $10,999 USD and the FX9 retails for $1 cheaper ($10,9998 USD). Découvrez le Canon EOS C300 Mark III, doté d'un capteur Canon DGO 4K Super 35 mm, d'un mode ralenti 4K 120P, d'une plage dynamique élevée et d'un autofocus CMOS Dual Pixel. This low power draw is a big deal if you are shooting documentaries, events or news. Canon’s Cinema RAW Light isn’t uncompressed, but the files still contain more than enough information to give you very clean images, good color accuracy and a smaller chance of seeing any image artefacts. The Canon EOS C300 Mark III and the Canon EOS C500 Mark II are Cinema EOS stablemates offering the latest technology to give stunning visual results. The EOS C300 Mark III camera is modular and customizable, just like the EOS C500 Mark II camera. When a Super 16mm lens, or a 2/3-inch broadcast lens (with the B4 mount adapters – MO-4E for EF-mount /MO-4P for PL-mount) are used on EOS C300 Mark III the camera is set to formulate a choice between 2K or HD video formats. It is interesting to see that the C300 Mark III is the first Canon camera to use a Dual Gain Output sensor. Therefore, it was of ultimate importance for the engineers to maintain that philosophy with this new product, while also considering feedback from Cinema EOS users. Only four M3 screws are required to implement the change out to the alternative mounts. If I was to guess as to why it doesn’t have an RF mount it would be that Canon engineers may be having issues trying to fit an internal ND system with the RF mount. Like what we do and want to support Newsshooter? Relevant outputs are MON., HDMI, SDI OUT, and VIDEO terminal/EVF-V50. The Extension Unit 1 (EVU-1) $499 USD, offers multi-camera support with a Genlock interface, while Extension Unit 2 adds further interfaces, such as two more XLR inputs, ideal for broadcast applications and a V-Lock battery mount for extended recording times. Cameras & Photo. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Canon DSLR, Mirrorless, Compact, Lenses, Flashes Rumors. Diffraction correction is not a traditional video sharpening process, but rather it is a restoration based upon reported predictability. As another comparison, the Sony FX9 draws 35.2W. If SDR is being recorded onboard only that same SDR can be externally recorded. The C500 Mark II is the latest Cinema EOS camera from Canon and looks to be positioning itself as a very versatile and capable camera! Many shooters will be confused as to which offers the better value proposition. Face detection AF is another autofocus mode that can track a person’s face in the frame and maintain focus on them. The newly developed 4K Super 35mm DGO imaging system captures high dynamic range content by reading out … I was personally disappointed with the C300 Mark II and thought that the images when recording in 4K looked soft. Although it’s the same basic idea of having different readout calibrations, Dual Gain Output is much harder to do than Dual Gain ISO because that switches between the two. The new sensor uses a Dual Gain Output (DGO) which I will talk about in-depth in the next section. Both the Canon C300 Mark III and Canon C500 Mark II were launched relatively close to each other. The C500 Mark II can only record XF-AVC Long GOP proxies. The EOS C500 Mark II supports Canon Log 2 and Canon Log 3 Gamma. As for this moment, the brand new C300 Mark III is not on the list. It was also overpriced at launch and cost almost twice that of a Sony FS7. The optional EVF Unit is ideal for hand-held use but also answers user’s demands to make it easily removable for gimbal applications. Its modular design allows users to freely and easily customise the camera to meet their shooting needs. These images are then combined into a single high dynamic range image. Yesterday, Canon unveiled another cinema camera that goes between its great C300 line and the latest C500 Mark II flagship. This data is reported to the Digic DV7 processor that make high-speed calculations that in turn create the appropriate instruction to reposition the selected active image area. The FX9 is already available and it is attracting a lot of attention from FS7 owners and users. Buy Canon EOS C300 Mark III Digital Cinema Camera Body (EF Lens Mount) featuring Super 35mm Dual Gain Output (DGO) Sensor, 4K 120p, 2K Crop 180p HDR, Cinema RAW Light and XF-AVC H.264 Codec, EF Lens Mount, DIG!C DV7 Image Processor, Dual Pixel CMOS AF and Face Detection, LM-V2 4.3" LCD Touchscreen Monitor, 12G-SDI and 4-Channel Audio Recording, 2 x CFexpress Slots, Canon Log2 and … Canon says that the most dynamic range (16+ stops) can be achieved when shooting at 800 ISO in Canon Log 2. The modular body is expandable to suit all of your filming and the accessories are the same as the C500 Mark II for greater flexibility and compatibility. When recording HDR onboard either that same HDR or the derived SDR may be externally recorded. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. Yesterday, Canon unveiled another cinema camera that goes between its great C300 line and the latest C500 Mark II flagship. In the case of external recording either the 12G-SD, I or the HDMI interface may be used. That camera uses the smaller Super35mm size sensor, similar to APS-C. If you’re using cine lenses or heavier zoom lenses then definitely yes. If you’re just using Canon still lenses then probably not. This is a strange one considering the camera was just announced. This could be a potential usability problem if you are shoulder mounting the camera. But let’s get back to the C300 Mark III, fast forward 9 years to the presence – first off, the Canon C300 Mark III feels very much alike the full-frame C500 Mark II (watch our first hands-on here and read our lab test looking at the dynamic range and rolling shutter of that camera here). Both cameras have their strengths and weaknesses. If you want to see all the frame rates, data rates, etc. It features a V-lock or AB battery plate and gives you two additional audio inputs (more on the audio later). Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. So does that price compare to other digital cinema cameras? Canon has just officially announced the new Cinema EOS C300 Mark III camera and a new 25-250mm zoom lens today. It was still reasonably popular, but nowhere near as popular as the competing Sony FS7 and FS7 Mark II. He is the Editor of Newsshooter.com and has been writing on the site since 2010. Видеограф-документалист Бен Шерлок проверил в деле возможности EOS C500 Mark II с полнокадровым датчиком изображения и другой модели из линейки Cinema EOS — камеры EOS C300 Mark III с датчиком Super-35. Automatically obtains focal lengthWhen a lens that supports data transmission is attached, focal length data is automatically received through the digital contacts for shooting with optimized Electronic IS. First introduced in the EOS C200 and then implemented into the C500 mark II, Cinema RAW Lite is a proprietary Canon RAW format. With the modules attached you do have to remove the rear viewfinder, so that will force you to use the LCD touchscreen, or an external EVF or monitor. The EU-V2 (Expansion Unit) costs $1,600 USD. Below is what similar competing cameras retail for: As you can see it is at the upper end of the mid-tier digital cinema camera pricing spectrum, but it is still competitively priced against the Sony FX9 and Panasonic Varicam LT. 2048 X 1080: 50.00P/60.00P, YCC 4:2:0 8-bit 35 Mbps/24.00P/25.00P,YCC 4:2:0 8-bit 24 Mbps Long GOP. I personally think that the C500 Mark II, C300 Mark III, and the EOS R5 are Canon’s most significant announcements since the original C300. EIS should not be confused with IBIS, they are not the same. Canon EOS C300 Mark III. At first glance, you may just think that the EOS C300 Mark III is an S35 version of the C500 Mark II without the ability to record in resolutions above 4K, but there is a lot more to the camera than meets the eye.

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